But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. An amazing man. 12, Sydney, Oct 2006, 12 (colour illus.). Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. Look at these paintings and examine how Whiteley has given us clues to his identity. Greg Weight (b. Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). A bald psychiatrist, Dr. Charles Berg, wrote an entire book in the subject: The Unconscious Significance of Hair (1951). The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. 2023 Guardian News & Media Limited or its affiliated companies. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). The painting is set in Brett Whiteley's studio with his furniture and includes his other artworks around him. 1924 Miss Collins by W B McInnes. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. He was the youngest living artist to have work purchased by the Tate, a record that still stands. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. ), 232. plate no. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Brett Whiteley Self Portrait In The Studio Framed Print . Gift of Patrick Corrigan AM 2004. 213-236, Sydney, Summer 1982, 235 (colour illus.). The sculpture depicted on the right and others in the . 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. Signed and dated l.l. 1928 Dr Alexander Leeper by John Longstaff. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. He is represented in the collections of all the large Australian . Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. This work is such a significant piece it was an essential inclusion for the curator of this exhibition. The Brett Whiteley Retrospective', pg. One way that America influenced him is in the scale of his works. One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. the attraction of drawing is that there is an immediacy and freshnessnot so much that its simple, or reduced its just brief, beautifully brief.Brett Whiteley, Difficult Pleasure. 2), 'The Archibald Prize', pg. This appeared in the `Arts' section of `The Australian Supplement'. 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.). His self-portrait was a bold, almost grotesque confessional. Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. David Freeman will direct and Tahu Matheson will conduct. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . For further information please contact NPG Copyright. (Bibliographic reference no. unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. . Get the best deals on Brett Whiteley Art Prints. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. 239-240, Sydney, 2000, 256 (colour illus. 63-87, Sydney, 1999, 77 (colour illus. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. Brett Whiteley is one of Australias most celebrated artists. Bill Gregory, Art and Australia (Vol. Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. Ink on Torn Reassembled Paper 65x60cm I think he has done this to make the place seem more realistic because if he had . The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. Unresolved: Release in which this issue/RFE will be addressed. Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. Self portrait in the studio, 1976. . 'Strung between triumph, tragedy' an obituary by Barry Pearce. His expression is completely blank, as if he wanted only to pause and take stock of himself. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. Closed Good Friday & Christmas day This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. It features in all three self-portraits from 1976-78, acting as a signature or trademark. Catalogue text. Anna Waldmann, Art and Australia (Vol. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. The Melbourne Argus, Saturday 21 January 1956 reported; 'South Australian artist, Ivor Hele today won the 1955 500 Archibald Prize for the fourth time, and the third year in succession. 15 Jun 1992. Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . Gift of Patrick Corrigan AM 2004. Provenance: private collection NSW (gift from the artist c.1975). This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. ), 135 (colour illus.). Create a self-portrait that reflects your emotional state. 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Elwyn Lynn., The Australian, 'A life of eternal struggle'; 'Golden boy's genius worthy of adulation', Sydney, 17 Jun 1992, 1, 16 (illus.). As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. cat.no. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. [28], This article is about the artist. Deborah Bogle, The Australian, 'Art Movement', pg. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. Barry Pearce et al., Brett Whiteley education pack, 'Self-Portraits and Other Intimacies', Sydney, 1995, (illus.). He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. This article is associated with "Melba". Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. Humphrey McQueen, Art Monthly Australia, 'Positions vacant', pg. [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. Related research topic ideas. Whiteleys art was intimately connected to his tumultuous, creative life. An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. In these pictures the influence of Matisse reaches its apogee. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. Source: Art Gallery of New South Wales Archive. Whiteleys biographer, Ashleigh Wilson, describes the work as a confronting depiction of the panic and desperation of drug addiction. [25], In August 2018, Opera Australia announced that it had commissioned an opera to be based on the life of Brett Whiteley. Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. Dogs, 1975. ), 235. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. 61-85, Sydney, 2005, 76 (colour illus. Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. cat.no. In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. Donated through. ), 145 (colour illus.). This appeared in the `Arts' section of `The Australian Supplement'. Brett Whiteley: List of works - All Artworks by Date 110. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Subtitled; An extraordinary life. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. See all 85 works. Alchemy is the mythical ancient process of turning ordinary compounds into gold. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. Janet Hawley, Artists in conversation, Richmond, 2012, viii (colour illus.). From $33.34. He left Australia for Europe on 23 January 1960.[4]. 30.5 x 25.5 cm The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Brett Whiteley is one of Australia's most celebrated artists. The editor of this section was Geraldine Pascall. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. Wave Brett Whiteley 115.1997. Whiteley won his first major prize at the age of 20, the Italian Travelling Art Scholarship, awarded by Sir Russell Drysdale. 15, Sydney, 29 Jun 1997, 15 (illus.). Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. Self-portrait with reading specs, 1991. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. He soon settled in Lavender Bay. How does it make you feel? In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. (age29in1975), Brett Whiteley The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. [24] The paperback, featuring a new cover, was released in 2017. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. 07 Apr 1939 Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). A day at Bondi Brett Whiteley . After studying desultorily at art school he travelled to Europe on ascholarship. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Art Gallery of NSW. Fields marked with an asterisk (*) are required. A photograph of a youthful Brett Whiteley also accompanies this article. Brett said he had wanted it to scare himself straight. [1]. In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. List of works. Closed Good Friday & Christmas day The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Free entry, Find out what you need to know before visiting. Brett Whiteley. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. An audio version released by Audible in 2016 was narrated by Mark Seymour. Brett Whiteley - portrait 1 1975 Greg Weight. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. Whiteley's daughter Arkie is photographed by Alan Pryke standing before his painting titled `Self portrait in the Studio'. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. [4] He painted Woman in bath (1963)[5] as part of a series of works he was doing of bathroom pictures. Why did that particular work gain your attention? The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. Appearing in the 'Salesroom' section of the Australian Financial Review, with regards to the sale of `The Balcony 2', acquired by AGNSW. The National Portrait Gallery respects the artistic and intellectual property rights of others. PROVENANCE. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Typically, the viewer is led deeper into the picture by means of minute detail. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 Having attained the height of success, he realised that from this pinnacle the only way is down. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. How would the space be divided and what objects of inspiration would be around you? Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. Do you feel welcomed or uncomfortable? Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg.
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